It had to happen at some point and I’ve now gone and done it: I’ve made a podcast.
In true Coventry alumni tradition, it’s a bit rough-and-ready but by God we tried!
For this edition I chat – at length – with the erstwhile Joe Simpson about the production reveals from the Geneva Show. Sitting somewhere between a podcast and a vodcast, this slodcast (slideshow podcast, natch) slates and salutes the cars of note.
Next week, we’re aiming to bang out a review of the concepts for your audiovisual enjoyment. I’ll keep you posted.
So the wraps have come off the production-ready Cygnet at the Geneva Motor show and I’m as mad as ever with this cynical little marketing exercise (my previous take on the car is here). For proof of how off-zeitgeist the little Toyota-in-ready-to-wear is, Steve Cropley over at Autocar reports that Aston chief Dave Richards says the car will
sell the way a £3000 Hermès handbag does to rich ladies.
The comment rings with the same misplaced smugness that Ulrich Bez projected when suggesting that the massive Lagonda SUV concept was ideal for HNW individuals in eastern and developing countries. This was , presumably, because it could crush the proletariat as it steamed from oil well to arms deal to the House of the Rising Sun.
In his short piece on Autocar’s ever-interesting Design Language blog, Cropley goes on to imply that those rich ladies mustn’t have a good understanding of the Toyota range if they’re going to shell out for the Cygnet.
I go on to say that, Toyota underpinnings or not, Ason Martin’s product messages get more off track with every motor show.
Working in Germany I was thrown in the deep end of perceived quality research, taking more macro shots of headlamps, instrument panels and door cards than I care to remember. Yet I’m happy to come right out and say it: perceived quality fascinates me.
Gear shifter from the new Audi A8 (click to enlarge with caution, you might wet yourself...)
The way the tricks we use – from the amazingly detailed design of touch zones in a car interior to a superbly detailed tail lamp enclosure – coalesce to convince consumers that a product that feels good must be good, no matter the integrity of the engineering underneath the skin is a delightful thing. Take a look at the gear shift above and you might get an inkling of what I’m talking about.
Perceived quality’s a psychological game played by designers and engineers that reaps massive rewards for the companies that do it right. Just ask VW, who started on a head-long rush to improve the improve feel-good factor of everyday cars with a couple of otherwise unremarkable vehicles in ’96-’97. Read the rest of this entry »
I see so much of this stuff, time after time at the motor shows that I couldn’t help but giggle.
Still, the cartoon highlights the disconnect between a manufacturer’s reality (our cars are still made from oil and stuff dug out of the ground and run on same) and their marketing (or cars are BFFs with pandas, run on sun and happiness and blow green leaves out of their exhausts).
P.S Whatever your take on the exterior of the Toyota FT-EV II, the interior is an absolute cracker, cracker enough to make Citroen designers weep. Sadly Toyota only published one press shot of it so you’ll have to take my word on just how great it is…@EricGallina from Car Design News kindly provided some far better images for your enjoyment. Hat tip to Eric!
Never have two great automotive names been so resolutely underserved by their colaboration.
When I was a kid I was given a book packed to the rafters with images and descriptions of the output of the Italian styling houses up to the mid-80s. Apart from a couple of Pininfarina jobbies like the Ferrari Modulo and Pinin (don’t ask, I love barges hmmmkay?) it was always the sheer audacity and other-worldlieness of the Bertone cars that made me keep turning those pages until the book fell apart.
From BAT to Marzal (stylishly accessorised above) to Carabo to Camargue to Sibilo… the list goes on and on… Bertone was largely responsible for me wanting to become a car designer.
It’s only natural, therefore, that I expect a great deal of Bertone, and while they’ve wavered in the last couple of years, the news that they would be teaming up with Alfa Romeo for Geneva had my heart a-flutter.
Consider that heart shot out of the sky and in the mouth of a rabid dog. I’m hurt and I’m mad. Read the rest of this entry »
Oh how I love the run-up to motor shows! With Geneva but a matter of weeks away, Nissan has revealed the Juke, a productionised version of the cute Qazana @JoeSimpson and I raved about at Geneva last year. Sadly, the car above is not the Juke. It’s my fantasy Juke, with the suicide doors of the Qazana rightfully reinstated.
Although I moved the shut-line back all of 100mm, the difference (for me at least) is night-and-day, making the wonderful Juke just that little bit more insane by keeping a whole lot more coupé in the mix. It’s a subtle change in appearance – if not in engineering – that I sorely wish we could have seen in the real thing.
At the end of the day, it matters little. I love this little box just fine and, after the slightly awkward second-album-syndrome Cube, the Juke puts Nissan back on top of the small car game.
About 7 years ago, if my recollection is correct, we saw the beginnings of a design trend that would take the automotive industry by storm. The progenitor was the Mercedes Vision CLS Concept and the feature was a dramatic, plunging shoulder line that caused some to comment, unfairly in my opinion, that the car looked like a pressed steel banana.
Despite the common name that would be ascribed to the feature, it was actually an ascending shoulder that whipped from the from wheel arch and arced gracefully rearwards. Did it have it’s genesis in the Triumph TR-7? Thankfully, we’ll probably never know and in any case only the most ardent – and odd – automotive design watchers would ever try to make the link…
Third time’s clearly the charm with Kia’s baby SUV, the Sportage.
The first generation of the Sportage impressed with it’s cheapness, off-road prowess and… well that’s about it*. The second one, if we’re honest, had even less to recommend it: in a nod to changing market expectations of small SUVs, it dropped any semblance of off-roadability and was simply cheap.
1st and 2nd Generation Kia Sportage (click to enlarge)
Yet given the strides Kia’s been making in the design department of late (the conservative but nicely resolved Koup, Soul and Sorento all come to mind), the new Sportage was always going to represent a significant stylistic departure from its dowdy predecessors. In fact, having looked over the press shots, I’d go do far as to say that the new Sportage is the best resolved Kia to date and another indicator of just how serious the brand is about conquering the middle of the market. Read the rest of this entry »
I'm Drew Smith and I'm a freelance design strategist and journalist for the automotive industry. DownsideUpDesign is a place for me to collect stuff that I like, often love and sometimes hate for safe keeping. Get in touch at downsideupdesigner (at) me (dot) com or tweet me (@drewpasmith) to rant, contribute or collaborate!
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