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Musings of an Aussie design strategist, trend analyst and journalist

CreativeMornings/London Interviews: David Barrie

After a CreativeMornings Christmas/New Year break, it gives me enormous pleasure to introduce our first speaker for 2012, David Barrie.

In an era where we’re exhorted to be more active in our communities but struggle -perhaps through lack of practice, perhaps due to a lack of suitable infrastructure- David’s been building the platforms and imparting the knowledge to bring communities back together.

His passionate drive for participative urban regeneration has seen projects launched all over the country, successfully harnessing the latent creativity and capability of citizens to bring about positive change.

With a continued focus on how the creative sector can make a positive contribution to broader society, something that Chris Bangle riffed on at CreativeMornings/London August, David’s sure to make another great contribution to the dialogue.

Read our usual interview with David below and make sure to set your alarms for 11:00 am on Monday, January 23 to secure your tickets.

David Barrie will be appearing at CreativeMornings/London on Friday January 27th at Buro Happold at at 71 Newman St, W1T 3AH. For more information and to reserve tickets, please go to the CreativeMornings London Eventbrite page.

 

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High flying and flying high

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As mentioned in last week’s Cerebral Snacks, we had our 3 month internal review last Friday. This event saw the launch of our values (more news on that front in a future post) as well as the first showing of our new one-page website.

After some of the more serious activities we set to work on transforming specially bought-in plain kites with decorative card and paper, Copydex (oh, yes, nostalgic memories of eating this glue when we were kids caused many animated conversations), neon oil pastels, stick-on eyes, a dash of paint and – of course – the obligatory creative studio essential the Sharpie pen!
After adorning our lovely kites we took them into the shimmering autumn sun in Hyde Park and attempted* to fly them. Here are some images from the event.

*Notice the word ‘attempted’. Due to the cardboard-sculpted ‘body kits’ added to some of the kites (designers, eh!) and a rather sporadic and untrustworthy westerly wind, not everyone managed to free their kites into the Hyde Park air currents.

Petroleum-powered Peccadilloes for Plutocrats

Aston_martin-cygnet_concept_2009_1024x768_wallpaper_02

If austerity is all the rage, someone forgot to tell the manufacturers of city runabouts. Aston Martin’s much-maligned £35k Cygnet -based on the humble £10k Toyota iQ- is just starting to hit the streets. It’s also available in an even more exclusive Colette edition.

Fiat-695_abarth_tributo_ferrari_2009_1024x768_wallpaper_01

The amusingly named Fiat Abarth 695 Tributo Ferrari has been terrorising residents of Belgravia since late last year at an unamusingly steep £30k.

Fiat-500-gucci-12

And the £11k Fiat 500 on which the Tributo is based is now available in a Gucci edition for a £5k premium.

Citroen-ds3-by-orla-kiely-collection

Even Citroen is in on the act with the Orla Kiely-fettled edition of their quasi-premium DS3.

It doesn’t stop there, however.

0001rollsroycemini

Having the last laugh -as is so often the case in the Automotive world- are the Germans.

BMW Group brands Rolls Royce and Mini recently had a pash behind the bike shed and produced the Mini Inspired by Goodwood.

What do you get for your £25k premium over a standard £16k Mini? Leather, leather (everywhere), walnut veneers made at the Rolls Royce plant in Goodwood, “deep-shag” carpets and the smug satisfaction that, if you hadn’t worked it out already, you’re one of 1000 willing to pay £41,000 for a Mini.

Downsized luxury is everywhere these days; nary a day goes by when a report crosses my desk telling me that, despite the economic uncertainty, people are still enjoying luxuries, just in smaller portions. Now consumers can do it with their cars. Just don’t expect it to come cheap.

005rollsroycemini

Everything Is a Remix

Everything is a Remix Part 1 from Kirby Ferguson on Vimeo.

Produced by Kirby Ferguson, Everything is a Remix is a great two-part (soon to be three-part) look at how remixing underpins pretty much every facet of our modern culture.

I can still remember the day when, as an undergrad industrial design student, I realised -with the help of a world-weary lecturer- that there was nothing new in the world, just better, smarter ways to mash stuff together.

I felt both dejected at relived; dejected because my ego wanted the salve of original thought. Relieved because design was just like the music I was listening to. Easy, right?

Youthful arrogance knocked out of me, I soon realised that remixing well is one of the toughest jobs in the world. Yet somehow at Sense we do it day in day out.

Like all things, I guess practice makes perfect.

Hat tip to SwissMiss for bringing this to light.

London Mornings Get Creative

Since 2007, creative types in New York have been attending Creative Mornings, an event organised by the effervescent Tina Roth Eisenberg a.k.a. SwissMiss. These free sessions combine an inspiring 20 minute presentation (previous speakers include Milton Glaser and Khoi Vinh) with 20 minutes of conversation over coffee and bagels to kick-start the day.

Drew watched with envy as the concept rolled out to L.A., San Francisco and Zurich and wondered why there wasn’t something like it in London. To put his envy to bed, he made a really dodgy video with Raj and pleaded with Tina to let him be the host of the London chapter.

And so it was.

With the first session kicking off in July (date TBC), we’re really looking forward to welcoming the London creative community to the Sense Worldwide loft for a chat, a coffee and a Bruno’s Bacon Butty.

If you’d like to come along or get involved as a speaker or a helper, please email Drew (drewpasmith at senseworldwide dot com) with CMLDN in the subject line. We’re keen to have the talks move around in London, so if you’d like to offer up your venue, get in touch too!

 

Exhibition: Reverting to Type

In between the madness of the Christmas/New Year period and jetting off to Detroit for the NAIAS today (that’s North American International Auto Show for the uninitiated) I managed to find time to see a rather lovely little exhibition down Hoxton way.

Being held at the Standpoint Gallery, Reverting to Type is a celebration of the resurgence of letterpress as a printing technique with global collaborations ‘twixt poets, printers and designers on display. Some of the prints will be familiar to those of you who frequent stores like Nelly Hess on Columbia Road of a Sunday but there’s enough new and thoroughly delightful material to keep the letterpress habitué interested. As a bonus, many of the works (in their unframed state) are priced in the “don’t think twice” category.

Reverting to Type
Standpoint Gallery,
45 Coronet St,
London N1 6HD

Grant McCracken on the importance of lunch

You know the feeling well: your stomach starts grumbling, calling you to a fantabulous feast as the sun sails through its zenith. You want to relent and break free for the outside world, happy for the brief respite from your toil that lunch would provide.

But you need three great ideas for selling ice to eskimos for a mid-afternoon meeting. Food would just get in the way.

You push on, wringing the stone that is your brain, looking for the merest hint of saleable blood. None deigns to dribble out. With the deadline looming, you start to get distracted -panicked even- and look for a way out. The rumblings from your stomach, in the mean time, have become so magnificent they could topple Pompey. In a moment of weakness, you decide to seek solace in the arms of a carb and calorie-laden monstrosity.
Bolting out the office door, dodging the gallingly chirpy folk in the the street, you fight your way to your dealer of choice. You frantically scan the menu, searching for that which will comfort you. That which will help you forget that the client’s due in half an hour.
And then it hits you. The first idea. While you’re trying to decide what to eat.

What does lunch do?  It gives the world a chance to supply it’s “metaphoric materials.” Cause that’s what’s happening, isn’t it?  We are working on a problem to do with logistical systems and someone starts talking about the organization of ganglia in the brain and we go, “But of course.  That will do, nicely.  Thank you.”

I blame the Dewey Decimal system.  (And frankly it’s done so much harm in the world, I am pretty sure no one is going to mind me adding one more accusation.)   The DDS clusters like minded things together.  And that’s what we always do when trying to solve a problem.  We cluster the data, theories, methods, colleagues we think we’ll need when in fact we should be invited serendipity into our lives to give us the chance for those metaphoric materials.

So what is this? It’s a call to lunch. More importantly, it’s a call to enjoy lunch to its full extent and to feel free to share it with the rest of us. You never know what might happen.
(Source: Grant McCracken, Harnessing the Innovation Paradox) (Image: Hans S on Flickr)


Paola Antonelli on the future of design

I’ve just flicked through the latest issue of The Economist and found cause for pause when I saw the headline quote “Design takes over…” buried on page 109.

It’s attributed to Paola Antonelli, senior curator of Architecture and Design at MOMA. She goes on to say:
Theoretical designers will be exquisite generalists – a bit like French philosophers, but ready to roll up their sleeves. Applied designers will visualise complex infrastructures and systems so that scientists, policymakers and the general public can influence them…
“This grand new era has already begun. Design is moving centre-stage in the eternal human quest to make beauty out of necessity.”

Heady stuff indeed and, of course, she has a somewhat vested interest in pushing the cause. Still, made me feel all warm and gooey inside about where Sense is sitting on the theoretical/applied continuum.

(image: Drew Smith)

Quick Thoughts: Nissan Juke – suicide (doors) can be good edition

Oh how I love the run-up to motor shows! With Geneva but a matter of weeks away, Nissan has revealed the Juke, a productionised version of the cute Qazana @JoeSimpson and I raved about at Geneva last year. Sadly, the car above is not the Juke. It’s my fantasy Juke, with the suicide doors of the Qazana rightfully reinstated.

Although I moved the shut-line back all of 100mm, the difference (for me at least) is night-and-day, making the wonderful Juke just that little bit more insane by keeping a whole lot more coupé in the mix. It’s a subtle change in appearance – if not in engineering – that I sorely wish we could have seen in the real thing.

At the end of the day, it matters little. I love this little box just fine and, after the slightly awkward second-album-syndrome Cube, the Juke puts Nissan back on top of the small car game.

Quote of the day: Of Apples and Peugeots

“The [Peugeot] 505 is a saloon with quite a pleasant appearance, quite efficient engines, quite comfortable seating, quite nice steering and a quite reasonable price. And it is quite well constructed. So, you might say it was merely average. But can it really be that simple? Have Peugeot in fact, played a very clever game where, instead of dazzling us with technology or breathtaking styling, they have decided to woo us with understatement of the profoundest kind?”

Archie Vicar, Automotive Journalist, writing in The Monthly Car Review in October, 1979

The iPad is a tablet computer with quite a pleasant appearance, a quite efficient processor, quite comfortable physical dimensions, a quite nice user experience and a quite reasonable price. And it is quite well constructed. So, you might say it was merely average. But can it really be that simple? Have Apple in fact, played a very clever game where, instead of dazzling us with technology or breathtaking styling, they have decided to woo us with understatement of the profoundest kind?

Given how often I talk about the intersection of automotive design strategy and a generation of kids more interested in their iPhones and iPads than cars, how could I not repurpose the wonderful Mr. Vicar?

And on a similar but different tack: having comprehensively lost their way stylistically, Peugeot would do well to revisit Archie’s observation because it neatly sums up what made the brand so loveable.

Apple, on the other hand, clearly needs no such advice…

About DownSideUp Design

I'm Drew Smith and I'm a project lead, research analyst, design strategist and journalist. By day I work for Sense Worldwide in London. By night I sleep (mostly). DownsideUpDesign is a place for me to collect stuff that I like, often love and sometimes hate for safe keeping. All views represented here are mine and mine alone and do not represent those of anyone else. Get in touch at downsideupdesigner (at) me (dot) com or tweet me (@drewpasmith) to rant, contribute or collaborate!

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© Andrew Philip Artois Smith and DownsideUpDesign, 2009. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Andrew/Drew Smith and DownsideUpDesign with appropriate and specific direction to the original content.