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Drew Smith: design strategist, journalist and host of CreativeMornings/London

CreativeMornings/London Interviews: Rodrigo Bautista & Anna Warrington from Forum for the Future

To speak on the theme of Future, we felt it only appropriate that Forum for the Future be included as part of the global, CreativeMornings mix.

Taking a pragmatic view that a sustainable future for all will be underpinned by sustainable business (both in the financial and environmental senses), they work with corporations, governments and NGOs to co-create new approaches to delivering products and services. Putting systems innovation at the heart of their work, they’re now focussed on transforming the man-made organisms that underpin our society: finance, food and energy.

Speaking will be Rodrigo Bauista, a designer and teacher specialised in sustainable innovation, and Anna Warrington, an advisor within the Sustainable Business Team, who spends her time bringing together different industries to collaboratively develop sustainability solutions.

The usual interview is below, but we hope you can make it to our new venue partner, MRM Meteorite on April 26th to hear Rodrigo and Anna in full flight.

CreativeMornings/London on Friday April 26th is generously sponsored by MRM meteorite and will be held at MRM meteorite, 76-80 Southwark Street, London, SE1 0PN.

 

Where do you go when you need to concentrate?

A: The swimming pool.

R: I normally take the train heading south.

Is it about what you know or who you know?

A: Both.

R: It’s more about what you do. However every little helps, so, be kind to people and share your wisdom.

What’s been the most pivotal point in your life thus far?

A: Getting my first bike. The sense of freedom has never diminished.

R: Professionally, quitting my job for the richest man in the world.

Do you think there’s enough discourse between disciplines?

A: Some connections are stronger than others. I’d like to see more conversations between seemingly unrelated disciplines.

R: No. It depends of the organisation some are very good at it and some need help to have interdisciplinary dialogue.

Can you teach innovation?

A: Honestly, I don’t know. You can teach the theory. You can definitely create the right environment. And you can inspire it without doubt. And you can bring people along with you so that they experience it. Does that add up to people then being able to do it? Who knows. But I hope so.

R: Yes. But you need to live it too.

Dollar or Yuan?

A: Both at the moment. But for how long?

R: Amero

Do you believe in an afterlife?

A: I have a sneaking suspicion that there’s more to this life thing than we know…

R: No

Negative or positive freedom? 

A: Positive. In the main.

R: Positive freedom

Ideal holiday?

A: I love our tiny family campervan!

R: Shared with family, people are the places.

Can you draw?

A: Yes. Badly.

R: Yes

Can you draw us a wave?

A: Yes. Ask me when I see you and I’ll show you

R: A Mexican wave?

Individual or state (or both)?

A: A world where individuals are the state but somehow better than Big Society…

R: Society and community?

Favourite LP?

A: Depends on my mood. Could be Take That one minute, Eagles the next, followed by Ibrahim Ferrer and then Chris Wood after that. A tad eclectic.

R: Tough one…

Hypnotic Brass Ensemble (2009). HBE

The bends. Radiohead

Helville deluxe E. Bunbury

Last book read?

A: Behind the beautiful forevers. Read it, I tell you.

R: Vivir. Julio Scherer.

The best piece of advice you’ve ever received?

A: Pretend you’re a car when you cycle on London roads. Never squeeze yourself into the side.

R: Never give up, just… follow the energy.

What advice would you give to someone who wants to be where you are?

A: Get involved!

R: Don’t listen to me, go out and do what you love.

CreativeMornings/London Interviews: Adam Savage of FutureBrand London

We simply couldn’t let August slip by without paying some kind of homage to the London 2012 Olympics.

Fittingly, we managed to secure two fellows who’ve been at the heart of creating the look and feel of this marvellous event.

Matt Buckhurst and Adam Savage, respectively Creative Director and Design Director at FutureBrand London, have led the team responsible for delivering design and branding projects across the Olympic project.

Specific outputs have included the torch relay, the London 2012 festival, the Olympic Park environment and many other projects besides.

We tried to get their answers to our traditional interview but they’re already pitching for their next piece of work. No rest and all that.

Please read our interview with Adam below and join us on August 31st for this very special event with our new partners General Assembly.

Where do you go when you need to concentrate?
A leafy park

Read the rest of this entry »

CreativeMornings/London Interviews: David Barrie

After a CreativeMornings Christmas/New Year break, it gives me enormous pleasure to introduce our first speaker for 2012, David Barrie.

In an era where we’re exhorted to be more active in our communities but struggle -perhaps through lack of practice, perhaps due to a lack of suitable infrastructure- David’s been building the platforms and imparting the knowledge to bring communities back together.

His passionate drive for participative urban regeneration has seen projects launched all over the country, successfully harnessing the latent creativity and capability of citizens to bring about positive change.

With a continued focus on how the creative sector can make a positive contribution to broader society, something that Chris Bangle riffed on at CreativeMornings/London August, David’s sure to make another great contribution to the dialogue.

Read our usual interview with David below and make sure to set your alarms for 11:00 am on Monday, January 23 to secure your tickets.

David Barrie will be appearing at CreativeMornings/London on Friday January 27th at Buro Happold at at 71 Newman St, W1T 3AH. For more information and to reserve tickets, please go to the CreativeMornings London Eventbrite page.

 

Read the rest of this entry »

High flying and flying high

Photo_8

As mentioned in last week’s Cerebral Snacks, we had our 3 month internal review last Friday. This event saw the launch of our values (more news on that front in a future post) as well as the first showing of our new one-page website.

After some of the more serious activities we set to work on transforming specially bought-in plain kites with decorative card and paper, Copydex (oh, yes, nostalgic memories of eating this glue when we were kids caused many animated conversations), neon oil pastels, stick-on eyes, a dash of paint and – of course – the obligatory creative studio essential the Sharpie pen!
After adorning our lovely kites we took them into the shimmering autumn sun in Hyde Park and attempted* to fly them. Here are some images from the event.

*Notice the word ‘attempted’. Due to the cardboard-sculpted ‘body kits’ added to some of the kites (designers, eh!) and a rather sporadic and untrustworthy westerly wind, not everyone managed to free their kites into the Hyde Park air currents.

Petroleum-powered Peccadilloes for Plutocrats

Aston_martin-cygnet_concept_2009_1024x768_wallpaper_02

If austerity is all the rage, someone forgot to tell the manufacturers of city runabouts. Aston Martin’s much-maligned £35k Cygnet -based on the humble £10k Toyota iQ- is just starting to hit the streets. It’s also available in an even more exclusive Colette edition.

Fiat-695_abarth_tributo_ferrari_2009_1024x768_wallpaper_01

The amusingly named Fiat Abarth 695 Tributo Ferrari has been terrorising residents of Belgravia since late last year at an unamusingly steep £30k.

Fiat-500-gucci-12

And the £11k Fiat 500 on which the Tributo is based is now available in a Gucci edition for a £5k premium.

Citroen-ds3-by-orla-kiely-collection

Even Citroen is in on the act with the Orla Kiely-fettled edition of their quasi-premium DS3.

It doesn’t stop there, however.

0001rollsroycemini

Having the last laugh -as is so often the case in the Automotive world- are the Germans.

BMW Group brands Rolls Royce and Mini recently had a pash behind the bike shed and produced the Mini Inspired by Goodwood.

What do you get for your £25k premium over a standard £16k Mini? Leather, leather (everywhere), walnut veneers made at the Rolls Royce plant in Goodwood, “deep-shag” carpets and the smug satisfaction that, if you hadn’t worked it out already, you’re one of 1000 willing to pay £41,000 for a Mini.

Downsized luxury is everywhere these days; nary a day goes by when a report crosses my desk telling me that, despite the economic uncertainty, people are still enjoying luxuries, just in smaller portions. Now consumers can do it with their cars. Just don’t expect it to come cheap.

005rollsroycemini

Everything Is a Remix

Everything is a Remix Part 1 from Kirby Ferguson on Vimeo.

Produced by Kirby Ferguson, Everything is a Remix is a great two-part (soon to be three-part) look at how remixing underpins pretty much every facet of our modern culture.

I can still remember the day when, as an undergrad industrial design student, I realised -with the help of a world-weary lecturer- that there was nothing new in the world, just better, smarter ways to mash stuff together.

I felt both dejected at relived; dejected because my ego wanted the salve of original thought. Relieved because design was just like the music I was listening to. Easy, right?

Youthful arrogance knocked out of me, I soon realised that remixing well is one of the toughest jobs in the world. Yet somehow at Sense we do it day in day out.

Like all things, I guess practice makes perfect.

Hat tip to SwissMiss for bringing this to light.

London Mornings Get Creative

Since 2007, creative types in New York have been attending Creative Mornings, an event organised by the effervescent Tina Roth Eisenberg a.k.a. SwissMiss. These free sessions combine an inspiring 20 minute presentation (previous speakers include Milton Glaser and Khoi Vinh) with 20 minutes of conversation over coffee and bagels to kick-start the day.

Drew watched with envy as the concept rolled out to L.A., San Francisco and Zurich and wondered why there wasn’t something like it in London. To put his envy to bed, he made a really dodgy video with Raj and pleaded with Tina to let him be the host of the London chapter.

And so it was.

With the first session kicking off in July (date TBC), we’re really looking forward to welcoming the London creative community to the Sense Worldwide loft for a chat, a coffee and a Bruno’s Bacon Butty.

If you’d like to come along or get involved as a speaker or a helper, please email Drew (drewpasmith at senseworldwide dot com) with CMLDN in the subject line. We’re keen to have the talks move around in London, so if you’d like to offer up your venue, get in touch too!

 

Exhibition: Reverting to Type

In between the madness of the Christmas/New Year period and jetting off to Detroit for the NAIAS today (that’s North American International Auto Show for the uninitiated) I managed to find time to see a rather lovely little exhibition down Hoxton way.

Being held at the Standpoint Gallery, Reverting to Type is a celebration of the resurgence of letterpress as a printing technique with global collaborations ‘twixt poets, printers and designers on display. Some of the prints will be familiar to those of you who frequent stores like Nelly Hess on Columbia Road of a Sunday but there’s enough new and thoroughly delightful material to keep the letterpress habitué interested. As a bonus, many of the works (in their unframed state) are priced in the “don’t think twice” category.

Reverting to Type
Standpoint Gallery,
45 Coronet St,
London N1 6HD

Grant McCracken on the importance of lunch

You know the feeling well: your stomach starts grumbling, calling you to a fantabulous feast as the sun sails through its zenith. You want to relent and break free for the outside world, happy for the brief respite from your toil that lunch would provide.

But you need three great ideas for selling ice to eskimos for a mid-afternoon meeting. Food would just get in the way.

You push on, wringing the stone that is your brain, looking for the merest hint of saleable blood. None deigns to dribble out. With the deadline looming, you start to get distracted -panicked even- and look for a way out. The rumblings from your stomach, in the mean time, have become so magnificent they could topple Pompey. In a moment of weakness, you decide to seek solace in the arms of a carb and calorie-laden monstrosity.
Bolting out the office door, dodging the gallingly chirpy folk in the the street, you fight your way to your dealer of choice. You frantically scan the menu, searching for that which will comfort you. That which will help you forget that the client’s due in half an hour.
And then it hits you. The first idea. While you’re trying to decide what to eat.

What does lunch do?  It gives the world a chance to supply it’s “metaphoric materials.” Cause that’s what’s happening, isn’t it?  We are working on a problem to do with logistical systems and someone starts talking about the organization of ganglia in the brain and we go, “But of course.  That will do, nicely.  Thank you.”

I blame the Dewey Decimal system.  (And frankly it’s done so much harm in the world, I am pretty sure no one is going to mind me adding one more accusation.)   The DDS clusters like minded things together.  And that’s what we always do when trying to solve a problem.  We cluster the data, theories, methods, colleagues we think we’ll need when in fact we should be invited serendipity into our lives to give us the chance for those metaphoric materials.

So what is this? It’s a call to lunch. More importantly, it’s a call to enjoy lunch to its full extent and to feel free to share it with the rest of us. You never know what might happen.
(Source: Grant McCracken, Harnessing the Innovation Paradox) (Image: Hans S on Flickr)


Paola Antonelli on the future of design

I’ve just flicked through the latest issue of The Economist and found cause for pause when I saw the headline quote “Design takes over…” buried on page 109.

It’s attributed to Paola Antonelli, senior curator of Architecture and Design at MOMA. She goes on to say:
Theoretical designers will be exquisite generalists – a bit like French philosophers, but ready to roll up their sleeves. Applied designers will visualise complex infrastructures and systems so that scientists, policymakers and the general public can influence them…
“This grand new era has already begun. Design is moving centre-stage in the eternal human quest to make beauty out of necessity.”

Heady stuff indeed and, of course, she has a somewhat vested interest in pushing the cause. Still, made me feel all warm and gooey inside about where Sense is sitting on the theoretical/applied continuum.

(image: Drew Smith)

About DownSideUp Design

I'm Drew Smith and I'm a design strategist and journalist. By day I'm a Design Strategist at Tobias & Tobias. By night I sleep (mostly). And once a month, I host an event called CreativeMornings/London.

DownsideUpDesign is a place for me to collect stuff that I like, often love and sometimes hate for safe keeping. All views represented here are mine and mine alone and do not represent those of anyone else.

Get in touch at downsideupdesigner (at) me (dot) com or tweet me (@drewpasmith) to rant, contribute or collaborate!

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© Andrew Philip Artois Smith and DownsideUpDesign, 2009. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Andrew/Drew Smith and DownsideUpDesign with appropriate and specific direction to the original content.